People & Craft

Yen: Micro Macramé and Shimmering Insects

Let me introduce Yen with her wonderful micro macramé jewellery and her shimmering insects, made in bead embroidery technique.

Some people realise fairly early that they are not made for office life.

Yen had that revelation during her final year at university. She had always been creative, had an interest in minerals, insects and handicrafts, and eventually came to the rather sensible conclusion that if she did not do something about it, she might graduate straight into exactly the kind of working life she did not want.

So, towards the end of 2018, she took the leap and started turning those interests into her work.

Yen making jewellery by hand in her workspace

Thousands of tiny knots

The heart of much of Yen's jewellery is micro macramé.

Macramé itself is an old idea: instead of weaving or knitting, a structure is built from knots. Micro macramé takes that principle down to jewellery scale, using fine cord and a frankly unreasonable number of tiny knots.

I have never attempted to count them. I suspect doing so would remove some of the magic.

Micro macramé necklace with blue and green stones

Yen builds the knotwork around stones such as rose quartz, labradorite, lapis lazuli, jasper and many others. The stone is not simply attached to a finished necklace; the cords grow around it and become its setting.

That means the jewellery develops gradually from the centre outwards.

Beginning of a micro macramé necklace with stones held in knotwork

First the stones are secured. Then the surrounding structure starts to appear.

Micro macramé necklace taking shape around two stones

More knots, more branches, more decisions.

Partly completed micro macramé necklace during the knotting process

Until eventually the tangle of cords becomes something that looks suspiciously as though somebody planned it from the beginning.

Finished micro macramé necklace with blue and green stones

Stones, meanings and curiosity

Yen also knows her stones.

She is interested in their mineralogical side – what they are, how they form and how to recognise them – but also in the symbolic and spiritual meanings people have associated with minerals.

I actually like that combination. A stone can be an interesting geological object without preventing humans from spending a few thousand years attaching stories to it.

Black micro macramé bracelet with a green banded stone

For the jewellery, however, there is another consideration which is considerably less philosophical: the stone has to work with the design.

Its shape, colour and pattern influence the cords around it, so a particularly interesting mineral can easily become the starting point for the whole piece.

Small micro macramé earrings with red stones

And then there are the insects

I like Yen's micro macramé work very much.

But the things that really caught me were the bugs.

Bead-embroidered moth brooch by Yen

Yen makes insects using bead embroidery: moths, beetles, spiders and other small creatures assembled from beads, sequins, stones, thread and whatever else the design happens to require.

The shimmering surfaces work absurdly well for insects. Real beetles and moths are often far more colourful and iridescent than we remember them being, so the beads and sequins somehow make the artificial creatures look more alive rather than less.

They are decorative, slightly strange and impossible to overlook.

Which is probably why I like them.

One person, rather a lot of jobs

Like several of the artists we work with, Yen does considerably more than the part that eventually appears in photographs.

She develops the designs, selects the stones and materials, prototypes new pieces, makes the jewellery, prepares the packaging and presents her work to customers herself.

Yen presenting her handmade jewellery at an arts and crafts market

That is one aspect of small creative businesses that easily disappears behind the finished object.

We see the necklace.

Behind it may be hours of knotting, sourcing materials, photographing finished work, answering messages, calculating prices, packing orders and standing behind a table at a craft market explaining for the forty-seventh time that yes, every single one of those knots really was made by hand.

Yen's work

What connects the micro macramé and the embroidered insects is probably Yen's fascination with detail.

Neither technique makes much sense if your preferred approach to work is “good enough, nobody will notice”.

People notice.

They notice the tiny knots surrounding a stone, the carefully placed beads on the wing of a moth and the little irregularities that tell you somebody was actually sitting there making the object.

That is exactly why Yen belongs in our People & Craft section.

If you would like to know whether we currently have any of her work available, you can contact us.